[Verse 1] [Voice: Low, intimate male lead; restrained, haunted, conversational delivery.] Something's movin' where the moss don't sway, Shadow's hummin' at the close of day. Rust on the cross, bones in the well, That ain't thunder, that's a southern spell. I was nineteen with a coward's tongue, I let 'em take her when the hounds had run. [Verse 2] [Voice: Slightly darker; controlled tension, almost spoken on the first half, opening into sustained phrases.] She walks barefoot on the muddy path, Eyes like smoke and a whispered wrath. Said my name with a tongue of flame, And the devil grinned when he heard her claim. She don't knock and she don't ask twice, She just collects and she don't name the price. [Chorus] [Voice: Full, grounded male lead; wider chest voice, raw edge, sustained final words.] Blood in the bayou, fire in the sky, Can't outrun what you done by and by. Chains on the water, sins that won't sleep, Swamp gonna hold what you tried to keep. [Verse 3] [Voice: Pull back again; weary and intimate, carrying guilt without becoming melodramatic.] The wind don't blow, it warns and weeps, And the moon sees things it never speaks. Church bells ring with a broken chime, A curse don't die, it just bides its time. I hear her callin' from under the light, And I've been walkin' her way my whole life. [Bridge - breakdown] [Voice: Bare, nearly whispered lead; fragile sustained “Oooooh” phrases, then gradually more desperate.] Oooooh - don't go past the hanging tree. Oooooh - don't trust what you can't see. But her voice is low and it knows my name, And I'm so tired of runnin' from the flame. [Final Chorus - full stomp, raw harmonies] [Voice: Fullest vocal of the song; rough, weathered lead with restrained low harmonies underneath. Let the final lines feel increasingly surrendered rather than triumphant.] Blood in the bayou, fire in the sky, Ain't no mercy when the waters rise. Roots run deep, and secrets keep, But the swamp don't ever sleep. [Outro] [Voice: Drop back to intimate, exhausted delivery; almost a confession. Last line sustained softly, leaving the meaning unresolved.] Blood in the bayou... Blood in the bayou, darlin', I'm comin' home.